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Signed lower right “E. Mancoba”.
Sizes:
Frame: 60 × 53 cm | 23 × 21 in
Artwork: 40 × 32 cm | 16 × 13 in
Enter the world of modernist art with Untitled, c. 1959 by Ernest Mancoba, one of the first Black abstract artists in Europe. This beauty is not only a showcase of Mancoba’s form and symbolism but the entire narrative of Cultural intersection that is 20th century art.
One of the first Black abstract artists in Europe Mancoba’s work is key to understanding the evolution of modernist traditions. His Untitled ink and watercolor on paper is pure abstract expressionism. The gestural lines are fluid and precise the geometric elements work harmoniously with the watercolor washes a visual symphony that is movement and contemplation. Every stroke and ink drawn figure has spiritual depth Mancoba’s lifelong search for form and meaning.
Presented in a beautifully crafted wooden frame with double matting this is a piece to behold. Hand signed by Mancoba lower right and from a private collection in Spain adds to the provenance.
For collectors, institutions and modernist art lovers this is a rare and museum caliber piece of both aesthetic and historical significance. Mancoba’s work is highly sought after especially by those who love abstract expressionism and post war modernism and those who love the African avant garde.
Owning Untitled, c. 1959 is more than buying a piece of art it’s an opportunity to own a piece of cultural and historical heritage. With its unique blend of artistry, spirituality and provenance this piece will enrich any collection and stand as a testament to the enduring legacy of Ernest Mancoba.
Private collection, Spain.
Good vintage condition with some signs of wear. Framed.
Ernest Mancoba, born in Johannesburg, South Africa, in 1904, was a pioneering South African artist and sculptor whose work fused African cultural heritage with European modernist abstraction. Growing up under the oppressive system of apartheid, Mancoba’s early art was shaped by both traditional African influences and a desire to break free from colonial artistic constraints. He studied at the University of Fort Hare, one of the few institutions accessible to Black South Africans at the time, before moving to Paris in 1938 to attend the École nationale supérieure des arts décoratifs.
While Mancoba began his career as a sculptor, his style evolved towards abstract painting after his exposure to European avant-garde movements. He became the only Black member of the CoBrA group, an influential post-war European art collective, though his contributions were often overlooked due to racial biases of the time. Mancoba’s work, characterized by organic forms and vibrant colors, explored themes of spirituality, identity, and human connection. His legacy lies in his ability to merge African artistic traditions with modernist sensibilities, paving the way for future generations of artists navigating cross-cultural identities.
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