Signed upper left “CHEN”.
Georgette Chen’s Still Life with Rambutans is her vision of tropical plenty through the lens of modernism. On the linen surface, the durians, rambutans and mangosteens are rendered with quiet authority — their forms glowing yet grounded. The tone and brushwork modulate these everyday fruits into a study of rhythm and harmony and we see Chen’s love of light as a living thing.
Oil on canvas, the painting is a balance of European training and her deep connection to Southeast Asia. The composition is serene — each object placed with precision yet alive with tactility. Through this control of form and colour, Chen turns the still life into a meditation on impermanence and beauty.
More than a representation, Still Life with Rambutans is a cultural bridge, combining Parisian technique with Singaporean sensibility. In its simplicity lies an emotional resonance — a celebration of the region’s colours and textures seen through the eyes of a cosmopolitan artist who shaped the visual language of modern Asia.