This double-sided sheet, attributed to Spanish artist Mariano Bertuchi, captures two distinct yet complementary artistic moods. On the front, a refined pencil drawing presents a dual portrait of women—one smiling radiantly, the other portrayed in a serene, classical pose. The delicate modeling and subtle chromatic shading suggest a study in contrast and expression, likely completed during the artist’s observational sketch sessions.
On the reverse, Bertuchi employs fluid brushstrokes and subdued watercolor tones to depict a woman speaking into a rotary telephone. Her wide-eyed expression and parted lips evoke a fleeting cinematic moment, imprinted with urgency and drama. The spontaneity of this composition stands in contrast to the more composed front side, together offering a glimpse into the artist’s agile handling of form and mood.
As part of a recently discovered series of sketchbook sheets from the mid-20th century, this work reveals the immediacy of Bertuchi’s process—his intuitive eye for emotion, posture, and presence.
Private collection, Marbella. Acquired by the current owner at a Spanish auction around 10 years ago.
Good overall condition considering age. Light paper discoloration, small edge tears, and scattered foxing visible. Original binding perforations preserved.
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Mariano Bertuchi was a Spanish painter, illustrator, and designer best known for his evocative depictions of North African landscapes and culture. Deeply inspired by his travels in Morocco, Bertuchi developed a unique watercolor style that combined academic training with a vivid, impressionistic flair. His work captured everyday moments, military scenes, and traditional life in colonial Morocco with striking clarity and vibrant color.
An influential figure in the Orientalist movement in Spain, Bertuchi held significant roles in the visual representation of Spanish colonial presence, serving as the official painter of the Protectorate of Morocco. His contributions extended beyond the canvas—he was also a designer of stamps, banknotes, and educational materials. Today, his works are valued for both their artistic merit and their documentation of cultural and historical encounters between Spain and North Africa.
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