Cheong Soo Pieng painting in his studio in the 1950s, showcasing his pioneering role in the Nanyang Art Style and his fusion of Eastern and Western artistic techniques.
A grand lacquer painting by Nguyen Gia Tri, a master of 20th century asian art, displayed in an ornate wooden frame at a museum. This artwork exemplifies the fusion of traditional Vietnamese lacquer techniques with modernist expression.
Self-portrait of Nicolai Fechin (c. 1940), featuring expressive brushstrokes, rich earthy tones, and a dynamic contrast of light and shadow, emphasizing his signature artistic style.