Step into the private world attributed to Mariano Bertuchi, where each page of this intimate sketchbook reveals fleeting moments, careful studies, and bursts of imagination. By the Spanish Orientalist known for his vivid depictions of Morocco and North Africa, this collection of works on paper captures a quieter, more introspective side of his practice.
From vibrant watercolor notations to delicate graphite portraits, the sketchbook presents a kaleidoscope of visual impressions—men and women in regional attire, architectural forms, expressive caricatures, and costume details rendered with keen observation and fluid gesture. It is an artist’s notebook, yes—but also a visual diary, alive with curiosity and rhythm.
A Study in Style, Substance, and Subtlety
The pages unfold like cinematic stills: a glance cast downward, a fountain rising in plume, a caricature frozen mid-sentence. The technical versatility is striking—Bertuchi moves from soft washes to sharp lines, blending painterly instinct with documentary precision. Each vignette offers a glimpse into his process: unfinished thoughts, fully realized expressions, and painterly asides.
Though undated, the works are consistent with Bertuchi’s mature hand. Of particular note is a fully signed composition on page 39, reading “Mariano Bertuchi, Guarda,” a rare clue pointing to authorship and locale.
A Collector’s Jewel from the Margins of Mastery
Works of this nature—personal, authentic, and unrehearsed—offer unique value to collectors and scholars alike. They reveal not only the subject matter but the inner tempo of the artist’s mind. Such sketchbooks rarely survive intact, especially with this degree of variety and quality.
With provenance from a private collection in Marbella, this sketchbook was acquired at a Spanish auction over a decade ago. It remains in its original spiral-bound format with aged paper and cardboard covers, adding further historical texture to the work.
Whether for study, exhibition, or connoisseurship, this is a rare and poetic artifact—an artist’s journey across thirty-nine pages of thought and form.