Attr. to Rufino Tamayo — Sandias, 1958
Details
Signed and dated ‘TAMAYO 0-58’ (upper right); inscribed ‘Sandias oleo 1958’ (on the reverse of the canvas).
Attributed to Rufino Tamayo.
This striking composition featuring the iconic motif of watermelons—a subject synonymous with Rufino Tamayo’s exploration of Mexican identity—is a profound study in texture and monochromatic intensity.
Executed in 1958, the work utilizes a deeply resonant palette of reds, characteristic of the artist’s mature period, to transform a simple still life into a meditative, almost architectural space. The triangular, geometric precision of the fruit contrasts with the tactile, weathered surface of the background, creating a dialogue between form and atmosphere.
Tamayo’s ability to imbue everyday objects with universal, symbolic weight is fully realized here. The deliberate treatment of light and shadow, combined with the rich, impasto application of paint, suggests an ancient, elemental quality that transcends the limitations of traditional still life.
This composition stands as a compelling testament to the artist’s enduring fascination with the interplay of color, indigenous heritage, and modern abstraction.
Provenance
Reportedly acquired in Rome in the late 1950s by the grandfather of the present owner;
Thence by descent within the family (Rome, Italy, and later Germany);
Private Collection, Germany.
Condition
Overall good condition. Please contact us to request a detailed Condition Report.
Conditions of Sale
This lot is sold “as is” and “as attributed”. The attribution reflects the opinion of the auction house and is considered final. The sale of this lot is final.
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Rufino Tamayo, born in Oaxaca, Mexico, in 1899, was a distinguished Mexican painter and printmaker known for blending pre-Columbian themes with modernist styles. Orphaned at a young age, Tamayo moved to Mexico City, where he studied at the Escuela Nacional de Artes Plásticas. Unlike his contemporaries, such as Diego Rivera and José Clemente Orozco, who were deeply involved in political muralism, Tamayo focused on universal human experiences, favoring personal expression over ideological messages.
Tamayo’s work is characterized by bold colors, simplified forms, and textured surfaces, often drawing from Zapotec traditions and Mexican folk art while incorporating influences from cubism and surrealism. His innovative techniques in mixografía (a unique printmaking method) and his evocative use of color set him apart on the international stage. With a career spanning continents, Tamayo helped shape modern Mexican art, creating a visual language that celebrated both his cultural heritage and the global avant-garde.