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Jean-Charles Millet (1892-1944) The Bridge and the Porte de Bourgogne, Moret-sur-Loing, c. 1920's
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Details
Signed ‘J. Ch. Millet’ (lower right).
Sizes:
Frame: 43.5 × 53.5 cm | 17.1 × 21.1 in
Artwork: 34 × 41.5 cm | 13.4 × 16.3 in
The old stone bridge over the Loing with its mill-houses on the piers leads to the Porte de Bourgogne, the medieval gate-tower of Moret-sur-Loing, with the gabled houses of the town behind under a warm, hazy sky. It is the view Sisley painted again and again in the 1880s and 1890s, taken here from the river bank below the bridge, the water glinting under the arches.
Jean-Charles Millet (1892–1944), grandson of Jean-François Millet, lived and painted in the Barbizon country at the edge of the forest of Fontainebleau, of which Moret is the southern gate. His landscapes keep the Barbizon palette of browns, greys and dull greens, laid on broadly, with the architecture drawn in with a few firm strokes. Signed with the abbreviated form ‘J. Ch. Millet’ he used on his paintings.
Provenance
Acquired in France.
Private Collection, Spain.
Condition Report
Oil on canvas, unlined. A small area of abrasion and loss in the sky to the left of the gate-tower, about 1 cm, visible from the front; otherwise the paint layer is stable with light surface dirt. Presented in a black and gilt frame with wear. Please contact us to request a detailed Condition Report.
Shipping
Packed as size S (up to 60 × 50 cm) · 53.5 × 43.5 cm framed
- Transport and packing ()
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- Made-to-measure wooden crate (works over 20,000 €)
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€ (the low estimate to start)
- + €
Insurance is optional. It follows the final hammer price, so with insurance the total moves with the bidding. Indicative rates of our shipping partner MBE for packing and door-to-door transport; the final quote is confirmed after the sale. Import duties and taxes outside the EU are paid by the buyer.
We coordinate packing and shipping on your behalf, with insurance available if you’d like it — or you’re welcome to arrange your own. Please see our Shipping Information page for full details before completing your purchase.
Authenticity & Buyer Information
This lot is catalogued under the artist’s name without qualification. Provenance, dating and condition are described to the best of our knowledge; the sale is governed by our Conditions of Sale.
Buyers should review the catalogue carefully and raise any questions before bidding; additional information is not ordinarily provided after the auction.
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What it costs
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included. There is no VAT on the hammer price and no card fee.
| Starting price | Low estimate | High estimate | |
|---|---|---|---|
| Hammer price | €200 | €200 | €300 |
| Buyer’s premium 25% (IVA included) | €50 | €50 | €75 |
| Total on auroraathena.com | €250 | €250 | €375 |
| Total through a bidding platform (30%) | €260 | €260 | €390 |
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%: the same hammer of €300 costs €390 there against €375 here. Shipping and insurance are quoted separately; the estimator below gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
Questions about this lot
How does the estimate compare with the artist’s recent auction results?
The estimate of €200–€300 is our opinion of the range this work should reach; the starting price of €200 is the lowest bid we accept. We have not published comparable results for this lot; ask us before the sale and we will send the results we based the estimate on.
What will this lot cost in total?
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included, and there is no VAT on the hammer price and no card fee: at the starting price of €200 the total is €250; at the low estimate of €200 the total is €250; at the high estimate of €300 the total is €375.
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%, so the same hammer of €300 costs €390 there. Shipping and insurance are quoted separately; the estimator on this page gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
How is this lot catalogued?
Under the artist’s name without qualification. Provenance, dating, condition and value are described to the best of our knowledge; the sale is governed by the Conditions of Sale.
Can I see the condition report, more photographs or the work itself?
A condition report with ultraviolet photographs is prepared on request, normally within two working days; the condition summary on this page is examined in-house and is not a conservator’s report. Further photographs of any detail, the reverse or the frame are sent on request. The work can be examined in our Barcelona showroom by appointment before the sale, and you are welcome to send your own conservator or specialist.
How does bidding work, and can a maximum bid make me overpay?
You can leave a maximum bid before the sale (the sale is on Saturday, November 28th - 17:00 (CET)) or bid live in our online room. A maximum bid is executed by the auctioneer only as much as is needed to stay ahead of other bidders, in the sale’s increments, never above your maximum.
Where a reserve exists it never exceeds the low estimate; a lot without a reserve sells to the highest bid at or above the starting price of €200.
Is there a limit on how much I can bid?
Every account is approved for bidding as soon as the e-mail address is confirmed, with a limit of €5,000 per bid until the identity is verified. The limit applies everywhere: in the live room, on the lot page and to maximum bids. To bid without a limit, verify your identity in your account on this site: it takes about three minutes on a phone, is done once, and the limit is lifted automatically as soon as the check is complete. Please do it at least an hour before the sale.
Jean-Charles Millet
Jean-Charles Millet was born in Paris on 10 February 1892, the son of the architect Charles-Louis-Émile Millet and grandson of Jean-François Millet, the painter of ‘The Angelus’ and ‘The Gleaners’. He grew up with the family name and the family’s drawings around him, trained as a painter and etcher, and lived most of his life in the Barbizon country at the edge of the forest of Fontainebleau, painting its villages, farms and rivers and the towns of the Loing, Moret above all, in the broad, earthy manner of the Barbizon school. He also painted the landscapes of La Hague in Normandy, his grandfather’s country, and made etchings and drypoints of peasant subjects.
His name is also attached to one of the scandals of the inter-war art market: having sold off the genuine drawings he had inherited, he used the family’s authenticating stamp on imitations, and was convicted in 1935 in the affair of the ‘faux Millet’, recently retold in a book by the investigating magistrate’s successor. Arrested during the Occupation, he died in the concentration camp at Dachau in December 1944. His own signed landscapes, modest and sincere, appear regularly in French sales.
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