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Guy Bardone (1927-2015) Soucis au tissu quadrillé (Marigolds on a Checked Cloth), 1969
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Details
Signed ‘Bardone.’ (lower right); titled, dated ’69’, inscribed with the dimensions and signed again on the reverse.
Sizes:
Frame: 61 × 43.5 cm | 24 × 17.1 in
Artwork: 50 × 33.5 cm | 19.7 × 13.2 in
A pot of orange marigolds on a red table against a green and white checked cloth hung behind it, a band of blue to the left and of ochre to the right: four flat fields of colour and, in the middle, the dense, almost woven mass of the flowers, each head a whorl of orange impasto. Bardone’s title on the reverse, ‘Soucis au tissu quadrillé’, names the two things that interested him, the flowers and the pattern.
Guy Bardone (1927–2015), pupil of Brianchon, Cavaillès and Desnoyer at the Arts Décoratifs and winner of the Prix Fénéon in 1952, was one of the painters of ‘poetic reality’ who kept the tradition of Bonnard and Matisse alive in post-war Paris, often working alongside his friend René Genis. This 1969 still life, with its simplified planes and saturated colour, is a fully mature example, in its original gilt frame.
Provenance
Acquired in France.
Private Collection, Spain.
Condition Report
Oil on canvas, unlined, on its original stretcher. The paint layer is stable and clean, with no losses observed. Presented in a gilt frame with light wear. Please contact us to request a detailed Condition Report.
Shipping
Packed as size M (up to 80 × 60 cm) · 61 × 43.5 cm framed
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- Made-to-measure wooden crate (works over 20,000 €)
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We coordinate packing and shipping on your behalf, with insurance available if you’d like it — or you’re welcome to arrange your own. Please see our Shipping Information page for full details before completing your purchase.
Authenticity & Buyer Information
This lot is catalogued under the artist’s name without qualification. Provenance, dating and condition are described to the best of our knowledge; the sale is governed by our Conditions of Sale.
Buyers should review the catalogue carefully and raise any questions before bidding; additional information is not ordinarily provided after the auction.
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What it costs
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included. There is no VAT on the hammer price and no card fee.
| Starting price | Low estimate | High estimate | |
|---|---|---|---|
| Hammer price | €400 | €600 | €800 |
| Buyer’s premium 25% (IVA included) | €100 | €150 | €200 |
| Total on auroraathena.com | €500 | €750 | €1,000 |
| Total through a bidding platform (30%) | €520 | €780 | €1,040 |
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%: the same hammer of €800 costs €1,040 there against €1,000 here. Shipping and insurance are quoted separately; the estimator below gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
Questions about this lot
How does the estimate compare with the artist’s recent auction results?
The estimate of €600–€800 is our opinion of the range this work should reach; the starting price of €400 is the lowest bid we accept. We have not published comparable results for this lot; ask us before the sale and we will send the results we based the estimate on.
What will this lot cost in total?
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included, and there is no VAT on the hammer price and no card fee: at the starting price of €400 the total is €500; at the low estimate of €600 the total is €750; at the high estimate of €800 the total is €1,000.
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%, so the same hammer of €800 costs €1,040 there. Shipping and insurance are quoted separately; the estimator on this page gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
How is this lot catalogued?
Under the artist’s name without qualification. Provenance, dating, condition and value are described to the best of our knowledge; the sale is governed by the Conditions of Sale.
Can I see the condition report, more photographs or the work itself?
A condition report with ultraviolet photographs is prepared on request, normally within two working days; the condition summary on this page is examined in-house and is not a conservator’s report. Further photographs of any detail, the reverse or the frame are sent on request. The work can be examined in our Barcelona showroom by appointment before the sale, and you are welcome to send your own conservator or specialist.
How does bidding work, and can a maximum bid make me overpay?
You can leave a maximum bid before the sale (the sale is on Saturday, November 28th - 17:00 (CET)) or bid live in our online room. A maximum bid is executed by the auctioneer only as much as is needed to stay ahead of other bidders, in the sale’s increments, never above your maximum.
Where a reserve exists it never exceeds the low estimate; a lot without a reserve sells to the highest bid at or above the starting price of €400.
Is there a limit on how much I can bid?
Every account is approved for bidding as soon as the e-mail address is confirmed, with a limit of €5,000 per bid until the identity is verified. The limit applies everywhere: in the live room, on the lot page and to maximum bids. To bid without a limit, verify your identity in your account on this site: it takes about three minutes on a phone, is done once, and the limit is lifted automatically as soon as the check is complete. Please do it at least an hour before the sale.
Guy Bardone
Guy Bardone was born in Saint-Claude in the Jura in 1927. He studied at the École des Beaux-Arts in Lyon and then at the École nationale supérieure des Arts décoratifs in Paris, where his teachers were Maurice Brianchon, Jules Cavaillès and François Desnoyer, the painters of ‘poetic reality’ who carried the colour of Bonnard and Matisse into the post-war years. In 1952 he won the Prix Fénéon, which opened the Paris galleries to him, and from the 1950s he worked and exhibited side by side with his lifelong friend René Genis.
Bardone painted landscapes, still lifes and figures in simplified planes of saturated colour: gardens and terraces, flowers on patterned cloths, the Jura, Brittany, Greece and Provence.
He was also a prolific lithographer. His work entered the Musée national d’Art moderne and the Musée d’Art moderne de la Ville de Paris, and the contents of the studio he shared with Genis were dispersed at Drouot in 2018, three years after his death at Oyonnax in 2015.
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