See it on your real wall in AR
Scan to open on your phone, then tap “View in AR”.
Get Notified
Be the first to know about new works by Raoul Edmond Marie.
Raoul Edmond Marie (1852-1925) Sunlit Towpath on the Seine, 1892
New accounts are approved at once and can bid up to €5,000 per bid; verify your identity in your account to bid without a limit.
Ask on WhatsAppBid on this lot
Already have an account? Sign in and you’ll come straight back to this lot.
Create an account to place a pre-auction bid. We’ll email you a 6-digit code to confirm your address.
Confirm your bid
Confirm your bid of €400.
If you win at €400 you will pay ≈ €500 incl. 25% buyer's premium.
Your maximum bid
We bid for you, one step at a time, only as far as needed and never above this figure. Other bidders never see it.
Minimum 400 €. Bids step by 25 €.
Withdraw your bid
Withdraw your maximum bid of €0 on Lot 1? This cannot be undone.
Details
Signed and dated ‘Raoul Marie 92’ (lower right).
Sizes:
Frame: 50 × 67 cm | 19.7 × 26.4 in
Artwork: 38 × 55 cm | 15 × 21.7 in
A quiet reach of the Seine on a summer afternoon: the towpath runs along the right bank under a tall plane tree, its shadow broken into pools of sunlight, while poplars and willows close the far bank and a brick wall and gate-pier mark the edge of a riverside property. The water is still, the sky a pale haze. Painted in 1892, it is a typical subject for Raoul Edmond Marie, who spent his life at Bougival, downstream from Paris, and painted the river and its banks between Bougival and Saint-Germain-en-Laye for four decades.
Marie (1852–1925) belongs to the generation that followed Sisley and Monet to the Seine villages, but his manner stays closer to the plein-air realism of the 1880s than to Impressionism: an even, careful light, firm drawing of trees and buildings, and a palette of greens and greys enlivened by the flecks of sun on the path. He exhibited in Paris, notably at the Salon des Indépendants.
Provenance
Acquired in France.
Private Collection, Spain.
Condition Report
Oil on canvas, unlined, on what appears to be the original stretcher. The paint layer is stable with a fine network of age craquelure, most visible in the sky; light surface dirt and some rubbing to the edges where the frame sits. Presented in a painted wooden frame with wear to the finish. Please contact us to request a detailed Condition Report.
Shipping
Packed as size M (up to 80 × 60 cm) · 67 × 50 cm framed
- Transport and packing ()
- €
- Made-to-measure wooden crate (works over 20,000 €)
- €
-
€ (the low estimate to start)
- + €
Insurance is optional. It follows the final hammer price, so with insurance the total moves with the bidding. Indicative rates of our shipping partner MBE for packing and door-to-door transport; the final quote is confirmed after the sale. Import duties and taxes outside the EU are paid by the buyer.
We coordinate packing and shipping on your behalf, with insurance available if you’d like it — or you’re welcome to arrange your own. Please see our Shipping Information page for full details before completing your purchase.
Authenticity & Buyer Information
This lot is catalogued under the artist’s name without qualification. Provenance, dating and condition are described to the best of our knowledge; the sale is governed by our Conditions of Sale.
Buyers should review the catalogue carefully and raise any questions before bidding; additional information is not ordinarily provided after the auction.
Full Shipping Support
We coordinate professional, insured shipping worldwide, for auction and gallery purchases alike.
Expert-Curated Selection
Every lot is reviewed and vetted by our specialists before it reaches a sale.
Secure Payment
Pay by card for purchases up to €10,000, or by secure bank transfer for larger amounts.
Inquire about this lot
Have a question about this work?
Fill out the form below and our team will get back to you shortly.
What it costs
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included. There is no VAT on the hammer price and no card fee.
| Starting price | Low estimate | High estimate | |
|---|---|---|---|
| Hammer price | €400 | €600 | €800 |
| Buyer’s premium 25% (IVA included) | €100 | €150 | €200 |
| Total on auroraathena.com | €500 | €750 | €1,000 |
| Total through a bidding platform (30%) | €520 | €780 | €1,040 |
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%: the same hammer of €800 costs €1,040 there against €1,000 here. Shipping and insurance are quoted separately; the estimator below gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
Questions about this lot
How does the estimate compare with the artist’s recent auction results?
The estimate of €600–€800 is our opinion of the range this work should reach; the starting price of €400 is the lowest bid we accept. We have not published comparable results for this lot; ask us before the sale and we will send the results we based the estimate on.
What will this lot cost in total?
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included, and there is no VAT on the hammer price and no card fee: at the starting price of €400 the total is €500; at the low estimate of €600 the total is €750; at the high estimate of €800 the total is €1,000.
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%, so the same hammer of €800 costs €1,040 there. Shipping and insurance are quoted separately; the estimator on this page gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
How is this lot catalogued?
Under the artist’s name without qualification. Provenance, dating, condition and value are described to the best of our knowledge; the sale is governed by the Conditions of Sale.
Can I see the condition report, more photographs or the work itself?
A condition report with ultraviolet photographs is prepared on request, normally within two working days; the condition summary on this page is examined in-house and is not a conservator’s report. Further photographs of any detail, the reverse or the frame are sent on request. The work can be examined in our Barcelona showroom by appointment before the sale, and you are welcome to send your own conservator or specialist.
How does bidding work, and can a maximum bid make me overpay?
You can leave a maximum bid before the sale (the sale is on Saturday, November 28th - 17:00 (CET)) or bid live in our online room. A maximum bid is executed by the auctioneer only as much as is needed to stay ahead of other bidders, in the sale’s increments, never above your maximum.
Where a reserve exists it never exceeds the low estimate; a lot without a reserve sells to the highest bid at or above the starting price of €400.
Is there a limit on how much I can bid?
Every account is approved for bidding as soon as the e-mail address is confirmed, with a limit of €5,000 per bid until the identity is verified. The limit applies everywhere: in the live room, on the lot page and to maximum bids. To bid without a limit, verify your identity in your account on this site: it takes about three minutes on a phone, is done once, and the limit is lifted automatically as soon as the check is complete. Please do it at least an hour before the sale.
Raoul Edmond Marie
Raoul Edmond Marie was born in Paris in 1852. Around 1860 his family moved to Bougival, the village on the Seine west of Paris where his parents kept a tobacconist’s shop, and Bougival remained his home and his subject for the rest of his life.
He painted landscapes and genre scenes, above all calm views of the river and its banks between Bougival, Croissy and Saint-Germain-en-Laye: towpaths under plane trees, the Marly machine and the aqueduct, barges and washhouses, the hillsides above the water. He worked in the open air with an even, careful light and a palette of greens and greys that owes more to the plein-air realism of the 1880s than to the Impressionists who had painted the same stretch of river a decade earlier.
Marie showed his work at the Paris salons, notably the Salon des Indépendants, and also painted in Brittany: Pont-Aven and Névez appear among his dated subjects of the 1870s and 1880s, and a watercolour of 1885 was made in Milan. His Seine paintings record the villages west of Paris in the years when they were still the weekend countryside of the capital.
He died at Bougival in 1925 (some dealers’ records give 1850 for his birth and 1926 for his death). His work is held by the Musée municipal of Saint-Germain-en-Laye, which devoted its ‘work of the month’ to one of his Bougival views in 2025, and appears regularly in French regional sales.
Related Lots
What collectors say about us
“The description and photos of the artwork were accurate, and I felt confident in my purchase from the beginning. The team was quick to answer my questions and kept me well informed throughout the process.”
“I had a really good experience after the sale — it was smooth, asked a question and got an answer right away. Their customer service is excellent and very fast. Definitely recommend them.”