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Marcel Cramoysan (1915-2007) Village with a Church Tower, c. 1960's
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Details
Signed ‘Cramoysan’ (lower left).
Sizes:
Artwork: 33 × 41 cm | 13 × 16.1 in
A hill village of ochre and rust-red houses climbs towards a church whose square tower and pointed spire stand against a pale turquoise sky; in the foreground a farm building with a dark barn arch, a cart with red wheels and a track of warm earth lead into the picture. The paint is laid on with the knife in dry, scumbled strokes, the colours of the walls, sand, brick and burnt sienna, set off by the cool sky.
Marcel Cramoysan (1915–2007), pupil of Pinchon and one of the last painters of the École de Rouen, travelled through Provence, Spain and Italy for subjects like this one; the village here, with its southern light and its tall spire, is one of his southern motifs, painted with the warm, earthy palette he kept for them.
Provenance
Acquired in France.
Private Collection, Spain.
Condition Report
Oil on canvas, unlined, on its original stretcher. The paint layer is stable with a fine craquelure in the thinly painted sky; light surface dust; unframed. Please contact us to request a detailed Condition Report.
Shipping
Packed as size S (up to 60 × 50 cm) · 41 × 33 cm
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- Made-to-measure wooden crate (works over 20,000 €)
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We coordinate packing and shipping on your behalf, with insurance available if you’d like it — or you’re welcome to arrange your own. Please see our Shipping Information page for full details before completing your purchase.
Authenticity & Buyer Information
This lot is catalogued under the artist’s name without qualification. Provenance, dating and condition are described to the best of our knowledge; the sale is governed by our Conditions of Sale.
Buyers should review the catalogue carefully and raise any questions before bidding; additional information is not ordinarily provided after the auction.
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What it costs
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included. There is no VAT on the hammer price and no card fee.
| Starting price | Low estimate | High estimate | |
|---|---|---|---|
| Hammer price | €200 | €200 | €300 |
| Buyer’s premium 25% (IVA included) | €50 | €50 | €75 |
| Total on auroraathena.com | €250 | €250 | €375 |
| Total through a bidding platform (30%) | €260 | €260 | €390 |
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%: the same hammer of €300 costs €390 there against €375 here. Shipping and insurance are quoted separately; the estimator below gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
Questions about this lot
How does the estimate compare with the artist’s recent auction results?
The estimate of €200–€300 is our opinion of the range this work should reach; the starting price of €200 is the lowest bid we accept. We have not published comparable results for this lot; ask us before the sale and we will send the results we based the estimate on.
What will this lot cost in total?
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included, and there is no VAT on the hammer price and no card fee: at the starting price of €200 the total is €250; at the low estimate of €200 the total is €250; at the high estimate of €300 the total is €375.
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%, so the same hammer of €300 costs €390 there. Shipping and insurance are quoted separately; the estimator on this page gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
How is this lot catalogued?
Under the artist’s name without qualification. Provenance, dating, condition and value are described to the best of our knowledge; the sale is governed by the Conditions of Sale.
Can I see the condition report, more photographs or the work itself?
A condition report with ultraviolet photographs is prepared on request, normally within two working days; the condition summary on this page is examined in-house and is not a conservator’s report. Further photographs of any detail, the reverse or the frame are sent on request. The work can be examined in our Barcelona showroom by appointment before the sale, and you are welcome to send your own conservator or specialist.
How does bidding work, and can a maximum bid make me overpay?
You can leave a maximum bid before the sale (the sale is on Saturday, November 28th - 17:00 (CET)) or bid live in our online room. A maximum bid is executed by the auctioneer only as much as is needed to stay ahead of other bidders, in the sale’s increments, never above your maximum.
Where a reserve exists it never exceeds the low estimate; a lot without a reserve sells to the highest bid at or above the starting price of €200.
Is there a limit on how much I can bid?
Every account is approved for bidding as soon as the e-mail address is confirmed, with a limit of €5,000 per bid until the identity is verified. The limit applies everywhere: in the live room, on the lot page and to maximum bids. To bid without a limit, verify your identity in your account on this site: it takes about three minutes on a phone, is done once, and the limit is lifted automatically as soon as the check is complete. Please do it at least an hour before the sale.
Marcel Cramoysan
Marcel Cramoysan was born in Étretat on 1 January 1915 and became a pupil of Robert Antoine Pinchon, the Post-Impressionist master of the École de Rouen, whose sense of light and colour he carried into the second half of the century. Painter and lithographer, he was a figurative artist through and through, and landscape — Norman first of all, but also Breton, Provençal, Corsican, Spanish and Italian — is the heart of his work.
He also painted still lifes and flower pieces, circus and fairground scenes and rare portraits, with a warm palette and a brush that is loose without ever losing the drawing.
Cramoysan decorated the school of Étretat with canvases of La Fontaine’s fables and Perrault’s tales; at its opening in 1957 the school was hailed as ‘the most beautiful in France’. He exhibited for decades in Rouen, Paris and Normandy and his work is in the Musée des Beaux-Arts de Rouen and other Norman collections.
He died at Bois-Guillaume, near Rouen, on 26 April 2007. Since 2011 the Espace Cramoysan in Étretat has kept his memory in his native town.
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