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Paul Flaubert (1928-1994) Market Day, c. 1960's
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Details
Signed ‘Paul Flaubert’ (lower left).
Sizes:
Frame: 41 × 48.5 cm | 16.1 × 19.1 in
Artwork: 27 × 35 cm | 10.6 × 13.8 in
A crowded market under grey awnings: in the foreground a young woman in a white blouse and blue skirt walks towards us with a bundle in her hand and a smile on her face, a mother sits with her baby on a chair behind her, and the stalls, shoppers and a man in a bowler hat dissolve into a mosaic of small touches of red, green and ochre against the tall houses of the square.
The picture is a small, lively example of Paul Flaubert’s figure subjects, where the pointillist touch he used for his harbours and Seine views turns the crowd of a market into a shimmer of colour. Flaubert (1928–1994) kept the neo-Impressionist manner alive through the second half of the century, and markets and fairs were among his favourite animated scenes.
Provenance
Acquired in France.
Private Collection, Spain.
Condition Report
Oil on canvas, unlined, on its original stretcher. The paint layer is stable and clean, with no losses observed; light surface dust. Presented in a gilt moulded frame with minor wear. Please contact us to request a detailed Condition Report.
Shipping
Packed as size S (up to 60 × 50 cm) · 48.5 × 41 cm framed
- Transport and packing ()
- €
- Made-to-measure wooden crate (works over 20,000 €)
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€ (the low estimate to start)
- + €
Insurance is optional. It follows the final hammer price, so with insurance the total moves with the bidding. Indicative rates of our shipping partner MBE for packing and door-to-door transport; the final quote is confirmed after the sale. Import duties and taxes outside the EU are paid by the buyer.
We coordinate packing and shipping on your behalf, with insurance available if you’d like it — or you’re welcome to arrange your own. Please see our Shipping Information page for full details before completing your purchase.
Authenticity & Buyer Information
This lot is catalogued under the artist’s name without qualification. Provenance, dating and condition are described to the best of our knowledge; the sale is governed by our Conditions of Sale.
Buyers should review the catalogue carefully and raise any questions before bidding; additional information is not ordinarily provided after the auction.
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What it costs
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included. There is no VAT on the hammer price and no card fee.
| Starting price | Low estimate | High estimate | |
|---|---|---|---|
| Hammer price | €300 | €400 | €600 |
| Buyer’s premium 25% (IVA included) | €75 | €100 | €150 |
| Total on auroraathena.com | €375 | €500 | €750 |
| Total through a bidding platform (30%) | €390 | €520 | €780 |
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%: the same hammer of €600 costs €780 there against €750 here. Shipping and insurance are quoted separately; the estimator below gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
Questions about this lot
How does the estimate compare with the artist’s recent auction results?
The estimate of €400–€600 is our opinion of the range this work should reach; the starting price of €300 is the lowest bid we accept. We have not published comparable results for this lot; ask us before the sale and we will send the results we based the estimate on.
What will this lot cost in total?
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included, and there is no VAT on the hammer price and no card fee: at the starting price of €300 the total is €375; at the low estimate of €400 the total is €500; at the high estimate of €600 the total is €750.
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%, so the same hammer of €600 costs €780 there. Shipping and insurance are quoted separately; the estimator on this page gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
How is this lot catalogued?
Under the artist’s name without qualification. Provenance, dating, condition and value are described to the best of our knowledge; the sale is governed by the Conditions of Sale.
Can I see the condition report, more photographs or the work itself?
A condition report with ultraviolet photographs is prepared on request, normally within two working days; the condition summary on this page is examined in-house and is not a conservator’s report. Further photographs of any detail, the reverse or the frame are sent on request. The work can be examined in our Barcelona showroom by appointment before the sale, and you are welcome to send your own conservator or specialist.
How does bidding work, and can a maximum bid make me overpay?
You can leave a maximum bid before the sale (the sale is on Saturday, November 28th - 17:00 (CET)) or bid live in our online room. A maximum bid is executed by the auctioneer only as much as is needed to stay ahead of other bidders, in the sale’s increments, never above your maximum.
Where a reserve exists it never exceeds the low estimate; a lot without a reserve sells to the highest bid at or above the starting price of €300.
Is there a limit on how much I can bid?
Every account is approved for bidding as soon as the e-mail address is confirmed, with a limit of €5,000 per bid until the identity is verified. The limit applies everywhere: in the live room, on the lot page and to maximum bids. To bid without a limit, verify your identity in your account on this site: it takes about three minutes on a phone, is done once, and the limit is lifted automatically as soon as the check is complete. Please do it at least an hour before the sale.
Paul Flaubert
Paul Flaubert, born in 1928, belongs to the generation of French painters who kept the neo-Impressionist flame alive into the second half of the twentieth century. He worked almost entirely in the pointillist manner, building his pictures from thousands of small touches of pure colour in the tradition of Signac and Henri Martin.
His subjects were the animated scenes he loved: harbours and sailing boats, the Seine at Rouen and Paris, Mediterranean ports, hunting scenes, markets and lakeside walks, as well as Moroccan and Algerian views.
Flaubert’s technique is recognisable at once: a dotted, shimmering ground for sky, water and foliage, against which figures, boats and buildings are painted with a smoother touch so that they stand forward from the light. The effect is decorative, joyful and full of air.
He died in 1994. His work has appeared steadily at auction in France since the early 2000s and is held in private collections across Europe and the United States.
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