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Shirley Jaffe (1923-2016) Untitled, c. 1950's

Dimensions 36.5 × 27 cm | 14.4 × 10.6 in
Medium Mixed Media on Paper
Sold For
6,500
8,320 € with buyer’s premium (rate at the time of sale)
Estimate: 2,000 - 3,000 €

Details

Signed “Shirley Jaffe” lower right.

Sizes:
Frame: 58 × 48.5 cm | 22.8 × 19.1 in
Artwork: 36.5 × 27 cm | 14.4 × 10.6 in

Shirley Jaffe Untitled (c.1950’s) is from her Paris period when she was moving from figuration to lyrical abstraction. The composition is a cascade of gestural brushstrokes — reds, greens, yellows and blues dancing across the paper in a way that feels both spontaneous and deliberate. Through these expressive marks she captures the post war energy of the École de Paris while keeping her own rhythm and harmony.

Mixed media on paper the work shows Jaffe’s instinctive balance between color and line. The textured surface where transparent washes meet dense pigment is musical and would later become a hallmark of her geometric abstraction. Here we see the painter searching for structure within movement — a moment of transformation frozen in light and pigment.

This early work shows Jaffe’s sensitivity to emotion and atmosphere, qualities that would become the hallmark of her mature work. It’s a rare document of her evolution — a bridge between the intuitive language of gestural abstraction and the visual architecture of her later style.

Provenance

Private Collection, Spain.

Condition Report

Good vintage condition with some signs of wear. Framed.

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Shirley Jaffe

Shirley Jaffe

American (1923-2016)

Shirley Jaffe was an abstract painter whose big paintings and strong colour put her in the top tier of post-war abstraction. Born in New Jersey and living in Paris for most of her life, Jaffe moved from gestural Abstract Expressionism to a precise, geometric style with flat, interlocking shapes and rhythmic colour. Her paintings, playful yet structured, show a deep understanding of balance and tension.

Throughout her long career Jaffe was independent – not part of any movement but in conversation with the great abstract innovators of her time. Her later paintings, often called “musical constructions”, translate urban life into pure form. By stripping away gesture and embracing clarity she created a language where intuition meets discipline, where colour and shape can express harmony, chaos and the beat of modern life.

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