Jules Cavaillès and La Réalité poétique
Jules Cavaillès (1901–1977), founder of La Réalité poétique: from Carmaux to the Institut, the open windows and bouquets, the Tarn landscapes, and the view of Cordes-sur-Ciel at Aurora & Athena.
One short e-mail when a new work arrives, a work comes back on sale or a result comes in. Unsubscribe any time. Create an account to follow with one click everywhere.
See it on your real wall in AR
Scan to open on your phone, then tap “View in AR”.
Be the first to know about new works by Jules Cavaillès.
Already have an account? Sign in and you’ll come straight back to this lot.
Create an account to place a pre-auction bid. We’ll email you a 6-digit code to confirm your address.
Confirm your bid of €300.
If you win at €300 you will pay ≈ €375 incl. 25% buyer's premium.
Withdraw your maximum bid of €0 on Lot 11? This cannot be undone.
Signed ‘J. Cavaillès’ (lower right); titled ‘Cordes sur Ciel No 2’ (on the reverse).
Sizes:
Artwork: 19 × 21.5 cm | 7.5 × 8.5 in
The hill town of Cordes-sur-Ciel in the Tarn, its houses stacked along the ridge under a windy blue-and-white sky, painted in broad flat patches of ochre, olive, pink and black. Jules Cavaillès, born a few kilometres away in Carmaux, knew this landscape from childhood and returned to it throughout his life.
Cavaillès (1901–1977) was a founder of the group ‘La Réalité poétique’ with Brianchon, Legueult, Oudot and Terechkovitch — painters who, after the war, defended a sensuous, decorative figuration against abstraction. His landscapes reduce what he sees to a few bold, cut-out shapes with the contours drawn in black, exactly as in this small oil on board.
The panel is signed at the lower right and titled ‘Cordes sur Ciel No 2’ by the artist on the reverse.
Private Collection, Spain.
Oil on board, unframed. Good condition; the thin paint layer is stable with minor wear at the edges and a few small surface marks. Please contact us to request a detailed Condition Report.
We coordinate packing and shipping on your behalf, with insurance available if you’d like it — or you’re welcome to arrange your own. Please see our Shipping Information page for full details before completing your purchase.
Aurora & Athena provides a Five-Year Authenticity Guarantee for qualifying catalogue attributions, in accordance with our Conditions of Sale.
Buyers should review the catalogue carefully and raise any questions before bidding; additional information is not ordinarily provided after the auction.
Every piece is backed by a written guarantee and a Certificate of Authenticity.
We coordinate professional, insured shipping worldwide, for auction and gallery purchases alike.
Every lot is reviewed and vetted by our specialists before it reaches a sale.
Pay by card for purchases up to €10,000, or by secure bank transfer for larger amounts.
Have a question about this work?
Fill out the form below and our team will get back to you shortly.
Jules Cavaillès was born in Carmaux in 1901, the son of a mining-company employee. He came to Paris in 1919, took evening classes while working, and entered the École des Beaux-Arts in 1924; his first Salon d’Automne was in 1927, and in 1936 he won the Prix Blumenthal and had his first solo show at the Galerie Charpentier.
With Brianchon, Legueult, Oudot, Terechkovitch, Limouse, Planson and Caillard he formed the group later called ‘La Réalité poétique’ — painters who kept faith with colour, pleasure and the visible world through the years of abstraction. He taught at the Académie Julian and the École des Beaux-Arts and was elected to the Institut in 1971.
Cavaillès’ subjects are interiors with open windows, bouquets, women reading, the harbours of the Midi and the landscapes of his native Tarn — Cordes-sur-Ciel, Albi, Carmaux — painted in flat, bright patches bounded by black contour, with a decorator’s sense of pattern.
He exhibited from 1946 with the Galerie Romanet and later with Galerie Charpentier and Wally Findlay, was much collected in the United States, and is represented in the Musée d’Art Moderne de la Ville de Paris, the Centre Pompidou and museums across France. He died in 1977.
“The description and photos of the artwork were accurate, and I felt confident in my purchase from the beginning. The team was quick to answer my questions and kept me well informed throughout the process.”
“I had a really good experience after the sale — it was smooth, asked a question and got an answer right away. Their customer service is excellent and very fast. Definitely recommend them.”