Konstantin Korovin: Russian Impressionist Master for Art Collectors
Explore the life, legacy, and market value of Konstantin Korovin, a master of Russian Impressionism, in this comprehensive guide for art collectors and investors worldwide.
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Bearing the signature ‘C. Korovine’ (lower left).
Sizes:
Artwork: 65 × 56 cm | 25.6 × 22 in
A bunch of red roses, with a single white rose at its heart, stands in a dark vase on a white cloth; three orange fruits lie on the table beside it. To the left runs the pale frame of a window, and beyond the glass is a Paris night: the dark mass of the house opposite with its windows lit yellow, a patch of deep blue sky and a single point of light above the flowers.
The paint is thick and wet-into-wet. The roses stand up in ridges of red and crimson, the cloth is dragged in broad grey-white strokes over a lighter ground, the night is laid in cool greys and ultramarine, and the lit windows are short touches of yellow. The surface is unvarnished and matte. The signature ‘C. Korovine’, in Latin script at the lower left, follows the form Konstantin Korovin used after he settled in Paris in 1923. The painting is offered as attributed to the artist: the subject, the handling and the signature are consistent with his Paris years, but the attribution rests on our own examination and is not supported by documentation or an outside opinion (see the Conditions of Sale).
The canvas is offered unframed on its stretcher. It is not to be confused with the still lifes of roses and fruit Korovin painted at Gurzuf in the 1910s, which are in museum collections: this is a different picture, of the kind he painted in his years in France.
Good condition: the impasto intact and the paint layer stable, unvarnished and unrestored in normal and ultraviolet light; the canvas unlined and probably re-stretched, the tacking margins worn and frayed with old nail heads and a small loss of canvas at the lower-left corner; a narrow strip of bare canvas beyond the paint along the left and top edges; light surface grime that would respond to cleaning. Please contact us to request a detailed Condition Report.
This lot is sold “as is” and “as attributed”. The attribution reflects the opinion of the auction house and is considered final. The sale of this lot is final.
Offered and sold as attributed; the Five-Year Authenticity Guarantee does not apply to this lot. See our Conditions of Sale.
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The estimate of €3,000–€5,000 is our opinion of the range this work should reach; the starting price of €2,000 is the lowest bid we accept. We have not published comparable results for this lot; ask us before the sale and we will send the results we based the estimate on.
Bidding on this site, the buyer’s premium is 25%, Spanish IVA included, and there is no VAT on the hammer price and no card fee: at the starting price of €2,000 the total is €2,500; at the low estimate of €3,000 the total is €3,750; at the high estimate of €5,000 the total is €6,250.
Through LiveAuctioneers, Invaluable, Drouot or Bidspirit the premium is 30%, so the same hammer of €5,000 costs €6,500 there. Shipping and insurance are quoted separately; the estimator on this page gives the figure for your country. Buyers outside the EU pay no Spanish tax on the lot; the destination’s import rules apply (United States: original paintings and drawings enter duty-free; United Kingdom: 5% import VAT on art). Card payments are accepted up to €10,000; larger amounts by bank transfer.
No. This lot is catalogued as “Attr. to”, a qualified attribution: it is offered and sold as described, and the Five-Year Authenticity Guarantee of Section 4 of the Conditions of Sale does not apply. The estimate reflects that.
A condition report with ultraviolet photographs is prepared on request, normally within two working days; the condition summary on this page is examined in-house and is not a conservator’s report. Further photographs of any detail, the reverse or the frame are sent on request. The work can be examined in our Barcelona showroom by appointment before the sale, and you are welcome to send your own conservator or specialist.
Konstantin Korovin, a leading figure of Russian Impressionism, captured the poetry of modern life through vibrant brushwork and atmospheric cityscapes. Born in Moscow in 1861, Korovin studied at the Moscow School of Painting, Sculpture and Architecture, where he was influenced by the Russian realist tradition and the emerging currents of European Impressionism. A lifelong traveler and cosmopolitan, he developed a unique style that blended Russian lyricism with the light and spontaneity of French painting.
Drawn to the charm of urban nightlife and theatrical settings, Korovin spent extensive periods in Paris, where he painted bustling boulevards, cafés, and nocturnes with bold strokes and luminous palettes. His works pulse with energy—capturing fleeting moments, shimmering lights, and the romantic melancholy of twilight. Beyond painting, he also made significant contributions to stage design for the Mariinsky and Bolshoi Theatres, bringing a painter’s sensitivity to the world of opera and ballet. Today, Korovin is remembered as a visionary who bridged Russian and Western artistic traditions, infusing Impressionism with emotional depth and Slavic soul.
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